Piracy repression and “Proustian” effects in popular music markets

Becchetti LeonardoEleuteri Simone
CEIS Working Papers
We extend the Gayer-Shy (2005) approach and outline a theoretical model with typical characteristics of contemporary music markets in which record sales and life performances are two fundamental components of industry profits and illegal recording has pos
Number: 243
Date: Sunday, October 1, 2006
Revision Date: Sunday, October 1, 2006